Britton is an American pop singer and music creator from Ohio who began building an audience in 2020 through performance-driven short-form videos, quickly growing into a recognizable online artist. With 1.4M TikTok followers and consistently strong engagement across platforms, she has developed a reputation for direct songwriting and emotionally grounded themes, including mental health awareness.
Alongside covers and reinterpretations that helped introduce her to new listeners, she has also released original music. Her debut album, “Loving You Almost Killed Me,” continues Britton’s trend of delivering amazing music, paired with personal lyrics alongside pop writing sensibilities.
Built more like a repeating cycle than a simple beginning-to-end story, the album moves through the highs of new attraction and the slow breakdown that follows. As it unfolds, the mood shifts from light and open to heavier and more drained, with each track pushing the emotional weight a little further. By the end, it lands in the uncomfortable aftermath, where the hardest part is not the breakup itself, but the impulse to reopen the door. The closing tracks don’t offer closure so much as acceptance, hinting that the same pattern is ready to restart.
Starting with “MIA!,” Britton delivers a strong introduction to the album. The track hits hard and immediately shows off her vocal range, with pop instincts that are clear from the first moments. “TIPTOES” follows with introspective lyrics and powerful vocals, which become a consistent thread throughout the record. “long way down” feels more grounded, built around a heavily featured piano that gives the song a level of intensity that stands out. “PAPERCUT” cuts deep, while “bedbugs” grabs your attention from the moment the first note lands, with the acoustic guitar doing much of the heavy lifting. “MARTYR” feels confessional and surprisingly motivating in its delivery. “too late” works as an interlude, giving you a moment to breathe. “foreign” oddly makes you feel right at home. “clawmarks” brings the pain of old wounds back to the surface, and finally, the album closes with “The Cycle,” the project’s centerpiece track.
“The Cycle” is about the kind of relationship you know isn’t good for you, but you still can’t seem to walk away from. It’s that constant back-and-forth where comfort starts to feel like destiny, and the same patterns get mistaken for love. I wanted to explore what it looks like to stay attached even when it means going against yourself and how that pull shows up in both the lyrics and the production. It lives in the grey area between love, loss, and just trying to make it through.
Overall, “Loving You Almost Killed Me” is a strong pop album that hits the essentials. The production is polished, the themes carry real weight, and most importantly, the songs stick with you. If you’re a fan of artists like Lady Gaga, Taylor Swift, and Billie Eilish, Britton’s newest album is an easy recommendation.
Get to know more about Britton on her social media!
Instagram – TikTok – YouTube
