Music Reviews

Love songs meet heavy bass on Effin’s Heartbeats, as the Nashville producer turns vintage soul, jazz samples and romantic vocals into something intimate and intense
Behind the celebration, something more complicated is unfolding. On Party of the Century, Brooklyn duo RYAL turn friendship, heartbreak and painful memories into electronic songs that keep moving.
Boston singer-songwriter Stephen Mugford's new single "Fuzzy Socks (Na Na Na)" is a warm, piano-led sing-along about anxiety, small joys and a life in three verses, the first taste of
Toronto artist Sam Louis turns the claustrophobic weight of an overactive mind into a restless, high-energy alt-pop anthem on single “cave in,” a first look at his album low impact.
Bryce Bowyn on the two-year journey behind his debut album, "Fever Dream" — a shapeshifting electropop record shaped by engagement, friendship, loss, and a hard-won sense of confidence.
Joshua Jensen turns memory, heartbreak and regret into “People Were Singing,” an emotionally charged folk ballad that builds from quiet reflection to a sweeping crescendo.
Adriatique transformed the Old Royal Naval College into a hypnotic world of melodic techno, cinematic visuals and movement beneath London’s summer skyline.
Jenny JAM transforms heartbreak and a family crisis into “Toy Proof,” a defiant piano-driven track about seeing a relationship clearly and knowing when to walk away.
Low Clika's debut album blends corridos and norteño with rap, reggaetón, and R&B, tracing a contemporary Mexican identity across 12 genre-spanning tracks.
Seth David Branitz has been three or four different people over the years, and he'd probably tell you that himself.
XG return to London with an ambitious, high-energy OVO Arena show that proves the hype surrounding their global rise is entirely justified.
Riley Max's "Year One" blends lo-fi footage with stop-motion animation to capture a difficult first year at Harvard, turning anxiety and exhaustion into a quietly hopeful folk pop reflection.
The enigmatic electronic artist gave quite an impression.
Having been to every We Out Here since it started, apart from missing last year, it was great to be back at my favourite UK festival.
Hyperpop, heartbreak, grief, and a South Carolina bonfire: eleven artists prove there's no single way into a familiar feeling, from LOVELI LORI's pixelated Y2K world to ROREY's Rorschach-test breakup video