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The Phreaking Collective is a London-based computational art group exploring technology's social impact. Their festival, Can We Start Again, reimagines the collaborative spirit of the early internet through art and
For seven nights during the 2026 Venice Biennale, Chris Levine’s Higher Power transformed the lagoon skyline into a spectacle of light, technology and collective wonder.
Peter van der Wal, aka The Sinful Son, is the photographer behind Beautiful Creatures, a Polaroid series of queer nightlife turning fleeting dance floor encounters into a raw record of

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Baseline Bond brought together tennis, art and London’s creative scene for Art of the Game at Indra Gallery, a new event series exploring how sport can exist beyond competition and
At Tate Modern, Tracey Emin: A Second Life presents an intimate, unfiltered survey of the artist’s work. We spoke with curator Alvin Li about Emin’s evolution, resilience, and enduring belief
From must-see pavilions to the biggest debates rippling across the lagoon, Minerva Collective founder Ceyda Ulaşan joins 1883 to break down the standout shows, boldest curatorial moves, and defining moments
Presented during the 61st Venice Biennale, TURANDOT: To the Daughters of the East reinterprets Giacomo Puccini’s Princess of Ice as a symbol of autonomy and resilience through the work of
Renowned restaurateur and collector Clinton Pugh shares the story of his rare early Sacha Jafri works, now released via Chiaroscuro to support vital addiction recovery centres.
1883 chats with Minerva Collective founder Ceyda Ulaşan on bridging classical heritage and contemporary art across generations.
Swiss strategist Noemi Iten on shaping brands across Prada, Miu Miu and Chromasonic, building systems rooted in culture, clarity and long-term thinking.
From teddy bears to autonomous machines, Louise Wan explores repetition, human fatigue, and the hidden systems of capitalism.
From provocative performances to artistic influences, Deborah De Robertis speaks on confronting power, gender, and tradition in art.
At Asylum Chapel, Roseline Zhang’s Echoes in Dust turns painting into a physical encounter, where movement, memory, and emotion unfold across a shifting surface shaped by body, space, and time.
"Let's burn prejudice!" — inside the garage and the strange mind of Liviu Alexa, a rising star of contemporary Balkan art.