While most people cope with heartbreak through comfort food and scrolling, Izzy Escobar turned hers into a journey of self-discovery. In London, on a trip that had been meant for two, she wandered through jazz clubs, played piano in a room she imagined sharing, and transformed her solitude into “Sunny in London,” a melodic confession that feels like a postcard from the emotional trenches, one that might even make you thank your ex for the character development.
Released through Artist House, the single is a slow-burning confession wrapped in pop shimmer, woven with a lyrical honesty that never asks for permission. Izzy’s voice, equal parts velvet and voltage, runs through the track like someone flipping through old photos, deciding which ones to keep.
She wrote the song in a room she thought she’d be sharing, only to end up sharing it with the world. “Sunny in London” is the first on the path to her debut EP, a project that promises betrayal, grief, and the kind of emotional glow-up that needs no makeup. Next comes “Vendetta,” a track that feels like it should arrive with eyeliner and a warning label.
Izzy stands out as a violin-trained pop alchemist with a gift for turning emotional wreckage into songs you’d blast in your car at 2 AM. She’s opened for Eric Hutchinson and will share the stage with Green Day, Noah Kahan, and Fall Out Boy at Oceans Calling 2025.
Her breakout single, “These Eyes,” was born on TikTok, raised by Grammy-nominated producer Gregg Wattenberg, brought to life in a cinematic New York City video, and now lives rent-free in the minds of anyone who’s ever had to choose themselves. With the EP arriving in 2025, if “Sunny in London” is any hint, expect fewer healing crystals and more emotional demolition with style.
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