There is a quiet confidence running through “Waiting for You,” an album that finds Monotronic comfortable letting ideas unfold on their own, with any need to prove themselves largely behind them. Now firmly based in Los Angeles, the band moves through indie rock, pop, and indietronica with a more inward focus and a sense of calm exploration. Led by Ramsey Elkholy, the musicians approach the record as a reflective space, allowing subtle shifts in mood to carry its emotional weight.

The opening stretch sets the album’s pace. “Looking Away” arrives with an easy forward momentum, designed to draw listeners rather than overwhelm them. It is followed by “Kids of Summer,” which replaces guitar with electronic textures and distorted vocals, creating a sense of detachment that aligns with its themes.

As the album moves forward, the songwriting becomes increasingly observational. “Turtle and the Hare” unfolds patiently, emphasizing detail, while “Photograph” carries greater emotional weight through its vocal delivery and reflective tone.

“Close Enough” introduces electronic and R&B-leaning elements, creating a subtle tension between closeness and distance. The record closes with Monotronic’s interpretation of “Everybody Wants to Rule the World,” a version that honors the original while filtering it through the band’s own sensibility.

Much of “Waiting for You” took shape throughout 2024. What initially felt like a collection of disconnected ideas gradually revealed a shared emotional language. The songs carry a calm understanding that certainty is fleeting and that moving through life and relationships often means learning to live with unresolved feelings.

“Waiting for You” succeeds through cohesion, patience, and a clear sense of style. Monotronic allows each song to stand on its own while contributing to a broader arc, resulting in a record that feels human, grounded, and timely.

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