Music Reviews

“EP 1” lets Victoria Sol turn loss into strange beauty

Cuban-American artist Victoria Sol turns personal loss into something hauntingly beautiful on her debut project “EP 1.” Blending ambient, electronic, folk, and jazz influences, the three-track release explores grief, desire,

Jessie Altman Explores the Line Between Illusion and Awareness on “Sleepwalking”

Jessie Altman leans into questions of identity, illusion and emotional awareness on her four-track EP “Sleepwalking,” a warm, introspective release produced by Jason Lehning and mixed by Craig Alvin.

Sariyah Idan Returns to the Essentials on “Live In Berlin, Vol. 2”

Sariyah Idan returns with “Live In Berlin, Vol. 2,” a 13-track solo session blending acoustic soul and R&B. Recorded live with only voice, guitar and foot percussion, the project captures

Taylor Jules’ “The Good The Bad and The Ugliest” Offers a Raw Look at Emotional Reckoning

Los Angeles singer-songwriter Taylor Jules unpacks love, fractured friendship and personal low points on “The Good The Bad and The Ugliest,” a bold EP shaped by raw honesty and a

When Reality Watches Back: Mel Denisse’s “aiming alone”

Nashville-based artist and producer Mel Denisse steps into a hazier, heavier space with “aiming alone,” a shoegaze-leaning alt-rock single about being seen but never truly known.

Bridges Finds Strength and Sweetness in “Daydreams”

Bridges returns with “Daydreams,” a radiant empowerment pop track written at a Nashville Songhouse camp. Inspired by childhood memories, the single blends indie optimism and dream pop textures into a

“Hank the Dragon” Opens a New Chapter for Landroid

California High Desert duo Landroid return with “Hank the Dragon,” a bold, nostalgia-laced single blending pop, disco, and punk as they gear up for their 2026 EP Constellation.

Casper Sage Wages a War on Nostalgia With New Visualizer for “bits + pieces” Ahead of “PATINA” EP

Casper Sage unveils the visualizer for “bits + pieces” as he builds toward his upcoming PATINA EP, a project he calls a war on nostalgia.

Dominique Fils-Aimé Finds Renewal and Inner Light on “My World Is The Sun”

Dominique Fils-Aimé continues her sonic trilogy with My World Is The Sun, a spiritually charged album led by the transformative focus track “Phoenix Rising.”

Dash Hammerstein Self-Titled Album That Rewards True Music Lovers

Dash Hammerstein’s self-titled 2026 album marks a personal reset, blending chamber folk intimacy with understated songwriting and quiet confidence.

“Love” marks Elena’s introspective return to music

Elena marks her return with “Love,” a self-produced single exploring self-worth, spiritual growth, and emotional clarity after a long hiatus.

Britton’s “Loving You Almost Killed Me” Will Leave a Mark on Your Heart

Britton’s debut album “Loving You Almost Killed Me” traces the highs of attraction and the fallout of toxic love, anchored by standout tracks like “MIA!” and “The Cycle.”

Artemas, live at The Roundhouse in London

1883 Magazine caught Artemas live at The Roundhouse.

Only The Poets, live at Brixton Academy

1883 reviewed Only The Poets' headline performance at Brixton Academy in London.

Common Loon Finds Quiet Magic in “Livin’ The Dream”

Common Loon’s “Livin’ The Dream” drifts between indie pop and electronic textures, pairing lived-in vocals with a quietly surreal take on love and disbelief.

Bre Kennedy takes it to the next level with “The Alchemist” LP

With “The Alchemist,” Bre Kennedy brings focus and intention to the forefront, shaping ten songs into a carefully balanced album where observation, emotion, and structure work in quiet harmony.
Load More