Music Reviews

Britton’s debut album “Loving You Almost Killed Me” traces the highs of attraction and the fallout of toxic love, anchored by standout tracks like “MIA!” and “The Cycle.”
1883 Magazine caught Artemas live at The Roundhouse.
1883 reviewed Only The Poets' headline performance at Brixton Academy in London.
Common Loon’s “Livin’ The Dream” drifts between indie pop and electronic textures, pairing lived-in vocals with a quietly surreal take on love and disbelief.
With “The Alchemist,” Bre Kennedy brings focus and intention to the forefront, shaping ten songs into a carefully balanced album where observation, emotion, and structure work in quiet harmony.
Louis Tomlinson's sold-out album release show at Racket NYC was intimate and electric, debuting tracks from 'How Did I Get Here?' in a performance showcasing confidence and deep fan connection.
Omah Lay releases a new visual for “Waist,” pairing the track’s physical pull and quiet introspection with high-contrast imagery shot in Paris and directed by Lokmane.
On “Mrs. Nobody,” Pi Jacobs pairs understated Americana instrumentation with a firm sense of conviction, delivering a song shaped by lived experience, political awareness, and emotional clarity.
Houston breeds real ones, and The Unknown King is one of them. Born John Blair Jones, raised on Texas heat and old-school soul, he didn’t just learn music, he lived
Some artists make music. Others become it. Mysty is clearly the second type.
Written in the wake of the Los Angeles fires, Maya J’an’s “cul-de-sac” turns quiet observation into vivid songwriting, pairing emotional clarity with immersive, thoughtful production.
On “Oh Honesty,” JeLa turns vulnerability into an intimate indie pop confession, exploring self-sabotage, trust, and the slow, non-linear process of emotional healing.
On “Blue Disco,” Young Jonn delivers a 21-track album balancing introspection and movement, tracing ambition, discipline, and reward through Afrobeats-led global production.
On “Paparazzi, Izakayas and Cowboys,” Simone Sello unites rock, blues, electronic textures, and Japanese influences into a cohesive concept album shaped by travel, movement, and cinematic storytelling.
Aaron McBee leans into grit and vulnerability on “Who I Am,” a twelve track album shaped by Texas roots, grunge influence, and deeply personal songwriting.