A Christmas Carol is a story we all know so well. Whether it’s Mickey’s, The Muppets (my personal favourite), Bill Murray’s wonderful Scrooged, or even Dickens’ original novella, this timeless tale of redemption has been retold in countless ways. Yet, no matter how familiar it may seem, it’s a story that never fails to capture the imagination, a tale of redemption that we can all relate to in some way or other. The Old Vic’s annual production, by Jack Thorne, is looked forward to by many, and this year’s iteration, starring the brilliant John Simm (Doctor Who, Life on Mars) as Ebenezer Scrooge, truly shines.
From the moment you step into the theatre, the mood is set. Musicians in period costume perform as though they’ve wandered in from a Dickensian street, while actors hand out mince pies. It’s not entirely immersive, but it does an excellent job of pulling you into the world of 19th-century London. The atmosphere is wonderfully festive, and by the time the lights dim, you’re already primed for the journey ahead.
John Simm is an extraordinary Scrooge. His performance is layered and utterly captivating, transforming the character into a man who is not simply grumpy and bitter but deeply scarred and afraid. From his first moments on stage, he exudes the icy bitterness of a man who has shut out the world, terrified of facing his own vulnerability. Whether it’s through his biting delivery or the subtle cracks that begin to show as the ghosts unravel his past, Simm’s portrayal is as nuanced as it is powerful. You see every ounce of regret, anger, and ultimately hope.
Bob Cratchit, played wonderfully by Rob Compton, provides the perfect contrast. His optimism feels genuine but tinged with caution, as though years under Scrooge’s thumb have made him wary of letting himself hope too much. His love for his family, especially in the later scenes, is heartwarming, and the tenderness in his interactions with his son Tiny Tim (played beautifully on press night by Lenny Rush) adds depth to the story’s emotional core.
The staging by set (and costume) designer Rob Howell is simple but ingenious. The performance takes place in the round, with the stage forming a cross that juts out into the stalls. Four doorways rise and fall seamlessly from the stage, transforming the space from Scrooge’s office to the various settings visited by the ghosts. The visual simplicity is paired with exceptional sound design by Simon Baker, which breathes life into the minimal set. From the clanking of the doors as Scrooge locks the world out, to the ethereal soundscapes that accompany the ghosts, every moment is enriched by its auditory elements.
The ghosts themselves were also a delightful element. Marley’s Ghost is an imposing figure, his chains stretching endlessly across the stage in a truly striking costume. The three Christmas ghosts, meanwhile, are clad in patchwork outfits of red and white—a design that feels symbolic of the fragments of Scrooge’s life being pieced together before him. Each ghost brought a distinct energy to the stage, and brought out a different side to Scrooge in their interactions.
The musical elements of the production elevate it further. The ensemble doubles as narrators, scene-setters, minor characters, and carollers, their voices blending beautifully to create a soundscape that feels both festive and poignant. One standout moment features the cast playing handbells in unison to create a spine-tingling melody that captures the essence of the season. Even the final scenes, where Scrooge’s joy spills into the audience, are underscored by music that amplifies the sense of celebration.
For me, the true message of A Christmas Carol came through loud and clear: it’s never too late. It’s never too late to turn your life around, to follow a dream, or to find love and connection. Simm’s performance captures this beautifully. As Scrooge confronts his past and embraces the possibility of change, you feel the weight of his transformation. It’s a message that resonates deeply, especially in times when hope often seems to be in short supply.
This production is a triumph, blending a familiar story with fresh creativity and heartfelt performances. Whether it’s your first time experiencing A Christmas Carol or your twentieth, the Old Vic’s adaptation is a must-see. I’ll be eagerly returning next year to see how they bring this timeless tale to life once again, with a new cast.
Book your tickets at www.oldvictheatre.com
Words by Nick Barr
Photography Manual Harlan
