Harry Styles is setting the benchmark for how pop stars should headline a stadium

The pop superstar is showing everyone how a stadium tour should be done. Read the 1883 review now from his historic stint at Wembley Stadium.

Harry Styles is setting the benchmark for how pop stars should headline a stadium

The pop superstar is showing everyone how a stadium tour should be done. Read the 1883 review now from his historic stint at Wembley Stadium.

Harry Styles is setting the benchmark for how pop stars should headline a stadium

Rating: 5 out of 5.

Easily one of the biggest artists in the world, Harry Styles has continued to enthral audiences ever since his first appearance on The X Factor in 2010. Once One Direction mania took over in the subsequent years, followed by his solo career from 2017 onwards, his star has only ascended to dizzier heights. But even with the level of acclaim that comes from three UK number one solo albums, a landmark–never before done–run of 12 shows at Wembley Stadium could be seen as a herculean challenge for any pop star. However, it’s not the case for Mr Styles, who has bested Coldplay by two extra sold-out dates compared to their 2025 shows.

When I caught the tenth show of his momentous residency last Wednesday night, following a support slot from Canadian country legend Shania Twain, it would be easy to forgive Styles if his form wavered slightly. But it didn’t. Not one bit. The energy and dance-laden grooves from his latest record Kiss All The Time. Disco Occasionally, were felt from the start when he opened with ‘Are You Listening Yet?’. It perfectly set the tone for what the Together, Together tour is all about – a sense of unity.

Night 12

Only two songs into the set, and Styles engages with the tens of thousands of fans in the audience, the first of many moments throughout the night. He said: “London, Wembley, make some noise. My name is Harry, it’s an absolute please to play here tonight, thank you so much. We’re going to sing together; we’re going to dance together…scream if you want to go faster.”

Hardcore fans were treated to an expansive 22-song setlist, containing songs from his 2017 self-titled, the impressive 2019 follow-up Fine Line, the unexpectedly brilliant Harry’s House in 2022, and then the newest LP.

It was a thrill to hear new and older songs alike such as the intoxicating ‘Dance No More’, ‘Golden’, ‘Adore You’, ‘Watermelon Sugar’, and ‘Music for a Sushi Restaurant’. The stage design for the tour is also well worth mentioning. The running enthusiast essentially has a connected series of walkways which spans along the divided standing areas, allowing him to get more up close with his dedicated fans. After originally watching the show from the stands, I was invited to join the ‘Kiss’ standing area which only added to the experience.

Not just once but many times on the night, Harry referred to the community which assembles at his concerts, showing genuine gratitude for it. He said: “I’ve been reminded of this community you guys have built together, this energy, which is so much bigger than me, so much bigger than any musician you follow or music you enjoy listening to. I’ve never felt more hopeful about the future and what it is you guys have created together. I want to thank you for allowing me to be a little part of it, it’s a privilege for me.”

Night three
Night six

And he’s exactly right, that sense of unity is something I’ve never seen before at a concert. A safe, inclusive space, where groups of fans hold hands even if they don’t know each other. Families enjoy a night out, there are plenty of comical signs, and of course, cowboy hats and feather boas, all whilst reaching a multi-generational mix of people.

When it comes to that element of interaction, he always seems to go above and beyond of what is expected of a performer. Just over mid-way, he looks at many signs in the crowd and chats with a woman called Morgan who was with her mum Juliet as they celebrated her retirement. Elsewhere, a lad had a sign which said his car had broken down on the way, and Harry tells him he’ll get it repaired for him. Then in another moment, he announces a pregnant woman’s gender reveal upon her request. Spoiler alert: she is having a boy.

There’s no point where the energy starts to flag or falter, Styles expertly traverses dance, serene orchestral, and pure pop moments with ease, thanks to the support of his talented band.

Night eight
Night four

After performing the gorgeous ‘Carla’s Song’ followed by Kiss All the Time. Disco, Occasionally’s lead single ‘Aperture’, fans went into a frenzy when an orchestral medley of 1D songs ‘Night Changes’ and ‘History’ were performed. ‘The Waiting Game’ then followed.

Prior to concluding the set with a fireworks finale with his 2017 debut single ‘Sign of The Times’ and then megahit ‘As It Was’, he shared some final words with crowd. Styles said: “I love you. Thank you so much, we hope you had fun. Thank you, thank you thank you.”

Legacy is the name of the game here. People will remember Harry Styles’s stint at Wembley Stadium as a euphoric, unbeatable triumph. It’s a masterclass in showmanship and a powerful reminder of why Styles is a modern-day music icon.

Review Cameron Poole

Photography Anthony Pham

Thanks Dawbell PR