Alfred Enoch on Power, Doubt, and Playing Henry V
“There’s something very attractive about high stakes… high stakes give the audience a kind of magnifying glass.”
Finn Anderson and Tania Azevedo on rewriting tradition with Ballad Lines
How Ballad Lines reimagines folk tradition through queer love, motherhood, and generational memory.
I’m Sorry, Prime Minister review – Jim Hacker grows older but not wiser
I’m Sorry, Prime Minister offers warmth, wit and one last Oxford showdown between fading power and modern politics.
Oh, Mary! star Dino Fetscher talks sheer queer joy
The play is unhinged, the cast is queer, and Dino Fetscher is loving every second of it!
Ballad Lines is deeply, fiercely moving
Ballad Lines at Southwark Playhouse is raw, beautiful storytelling where centuries of women sing through each other.
Jo – The Little Women Musical – a West End concert with big ambitions
A stacked cast and soaring score give Jo – The Little Women Musical an impressive West End launch.