Theatre

Secrets, laughter and mind-bending magic collide in The Mesmerist, as Rufus Hound transforms a family mystery into a thrilling theatrical experience.
“There’s something very attractive about high stakes… high stakes give the audience a kind of magnifying glass.”
How Ballad Lines reimagines folk tradition through queer love, motherhood, and generational memory.
“I just wish people would let time come for their skin. Let it show in their body. And then get on with doing the things that actually make them feel
I’m Sorry, Prime Minister offers warmth, wit and one last Oxford showdown between fading power and modern politics.
Rise and Fall of the City of Mahagonny asks what happens when everything is for sale and nobody can afford the bill.
The play is unhinged, the cast is queer, and Dino Fetscher is loving every second of it!
History, protest, and spine-tingling vocals collide in a musical that feels uncomfortably relevant right now.
Ballad Lines at Southwark Playhouse is raw, beautiful storytelling where centuries of women sing through each other.
A stacked cast and soaring score give Jo – The Little Women Musical an impressive West End launch.
Keala Settle discusses Mary Todd Lincoln, narrative control, and the human cost of being publicly judged.
Lauren Lyle and Alexander Arnold talk comedy, chemistry and creative freedom as they perform David Ireland’s Most Favoured at Soho Theatre.
Cirque du Soleil’s OVO turns the insect world into a breathless, high-energy circus spectacular.
Jordan Fein’s Into the Woods finds real emotional truth beneath the fairy tale surface.
Austentatious blends quick wit, playful chaos, and uneven storytelling into a joyful night out.
From Drag Race to the West End, Tayris Mongardi on Snow White, community, and creative autonomy.